You can now stream the Bosse-de-Nage track from the upcoming Deafheaven/Bosse-de-Nage “split” at Stereogum. Bosse-de-Nage’s track is a new a song entitled “A Mimesis of Purpose.”
Deafheaven and Bosse-de-Nage will be performing on November 30th 2012 at DNA Lounge in San Francisco to celebrate the release of their split album. Wreck and Reference will also be appearing. You can purchase advanced tickets .
We have started taking orders for translucent gray vinyl of the Deafheaven/Bosse-de-Nage “Split” 12inch EP. Translucent gray vinyl is limited to 250 copies.
Also we will be offering a pink version of the split limited to 100 copies. Currently the only way you can buy this is via wholesale orders of 10 or more copies whereas you receive 9 black copies and 1 pink for every 10 copies ordered. You can order this item wholesale through either the Flenser Store or by emailing orders[at]theflenser[dot]com.
Above is embedded a youtube video of the Deafheaven side of the split that a fan uploaded. We will soon be premiering the Bosse-de-Nage side of the split soon.
You can now hear Deafheaven’s side of the Deafheaven/Bosse-de-Nage “Split” 12inch over at Pitchfork:
The album is up for pre-sale from the Flenser store now:
We are now taking pre-orders for the Deafheaven/Bosse-de-Nage “Split” EP.
The two best Bay Area minimilast black metal bands are releasing a split EP. Deafheaven contributes a cover of the Mogwai tracks Punk Rock/Cody and Bosse-de-Nage contributes a new song titled “A Mimesis of Purpose.” 12inch vinyl mastered at 45 RPM
Side A: Deafheaven – “Punk Rock/Cody” (Mogwai cover)
Side B: Bosse-de-Nage “A Mimesis of Purpose”
There will be a limited edition of 200 copies on Purple and Black marbled vinyl available only direct from The Flenser.
Deathwish will also be distributing the record on a unique color available only from them at a later date.
All other distributed copies will be black vinyl. LP in a single sleeve with die cut holes cut out so that the art from the center labels are visible through the jacket.
This is a pre-sale. We are expecting this to ship mid to late November but be advised it could take longer.
“Come the Thaw” Gatefold DLP
Worm Ouroboros have always existed as a sum of many parts – many influences, many affiliations, many moods. Drawing threads of inspiration from a wide range of styles and genres, this trio of doomed souls weave together a gorgeous tapestry of sound, splashed with shades of neofolk, dark ambient, chamber music, post-rock, folk, atmospheric doom, and progressive rock. Graced with the myriad talents of Lorraine Rath (Amber Asylum, The Gault) on bass and vocals, Jessica Way (Barren Harvest, World Eater) on guitar and vocals, and Aesop Dekker (Ludicra/Agalloch) on drums, the San Francisco, CA-based project has received heaps of praise from countless press outlets for their masterful debut as well as their sporadic but weighty live performances. Come The Thaw is their second release and the first to grace vinyl, a gauzy, ethereal piece of delicate darkness and gentle gloom; it is that rare album that dwells upon the outer edges of heavy metal, yet possesses enough raw power and beauty to coax both the metal faithful and those who prefer lighter fare under its spell.
Colored vinyl is limited to 125 transparent grey records and available only from the Flenser. All distributed copies will be black. Comes in a gatefold jacket with artwork by Lorraine Rath
Worm Ouroboros will have copies of this on their short November west coast tour.
Fri 11/09 – Salem @ TBA
Sat 11/10 – Seattle, @ The Highline- w/Loss, Mitochondrion, & Bell Witch
Sun 11/11 – Portland, @ Rotture w/Loss, Ephemeros, & Disemballerina
Tue 11/13 – Arcata, @ Jambalaya, w/Loss & Ash Borer
Wed 11/14 – San Francisco, @ The Elbo Room, w/Loss, Dispirit, & Riqis
Thu 11/15 – Oakland, @ Metro Side Stage, w/Loss, Laudanum,& Lycus
The Flenser will be releasing GRAYCEON’s ‘PEARL AND THE END OF DAYS’12inch
New Two-Song Album Coming Early 2013 from Flenser Records
With the end of 2012 quickly approaching and Grayceon’s critically-acclaimed last album All We Destroy (Profound Lore) waning in the rear-view, the San Francisco-based triad prepares for the next chapter in their story: a 30-minute album comprised of two sprawling epics that bend the concentration closer toward the band’s rockier roots. Titled Pearl and the End of Days, these two new songs still offer up the signature Grayceon ‘rock’ sound, but with a greater emphasis on wrapping the entire amalgamation in a polished elegance. Cellist Jackie Perez Gratz commented, “We wrote these songs over the course of the past two years, on the tails of the release of our third full-length, All We Destroy, and a time during which I was pregnant for nine months and my daughter was born. All three of us went into a collective hibernation where we weren’t playing out much and didn’t have any big album plans.” She continued, “Lack of specific goals and immediate expectations gave us the freedom to penetrate a newfound energy in our music. These two new songs, ‘Pearl’ and ‘The End of Days’, are the expression of that energy: more rock based, overall faster tempos, and a lighter heart lyrically. The EP embodies Grayceon’s musical style and challenges, but the songs, while taking on a different mood than previous material, still allow plenty of opportunity for head banging.”
Over the course of seven years and three proper full-lengths, Grayceon, comprised of one guitar (Max Doyle), one cello (Jackie Perez Gratz, who, along with her cello, has appeared on albums from bands like Om, Agalloch, Cattle Decapitation, Giant Squid, Amber Asylum and more), and one set of drums (Zack Farwell) has managed to tackle the full spectrum of heavy music’s extensive clutch of emotions. Pummeling sludgy metal quickly carves into fiery post-punk that’s knotted within epic experimental rock, and it’s all blanketed with the additional allure of ample use of mellow stretches to fully round out the pattern. Words such as “enterprising,” “unconventional” and “dynamic” have all been utilized in an attempt to encapsulate the band’s overall design, but the absolute consensus remains: Grayceon thrives as a splendid anomaly amongst an ever-increasing sea of peers.
Pearl and The End of Days was recorded in the Bay Area with Jack Shirley at Atomic Garden Studios in August of 2012 and will be released by SF-based Flenser Records in early 2013 on digital and vinyl formats.
Above is the the cover arts of the Deafheaven/Bosse-de-Nage split EP. There are actually two covers for this release and each band get’s unique artwork for their respective side of the split. The center of the LP jacket will have die-cut hole through which the center labels of the vinyl will be visible.
In White Sky
A Solo Work for Electric Guitar.
Nick Millevoi “In White Sky” is a experimental work for solo electric guitar. Comparisons can be made to Mick Barr, Oren Ambarchi and classical guitar composer Leo Brouwer.
41 minutes of anxiety and existential fragility.
1. Before a Constant 06:22
2. Slowly Dark 09:46
3. Super-lith Part 1 05:06
4. Super-lith Part 2 05:43
5. Endless Unfolding Hallways 14:35
Flenser stickers will be included in all new and pending orders!
It looks like the Bosse-de-Nage “iii” DLP and some other goodies will be in next week. The Bosse-de-Nage “ii” LP repress is now shipping.
The Flenser is also pleased to announce the upcoming release of a split EP featuring Deafheaven and Bosse-de-Nage. More details soon…
Bosse-de-Nage’s third album and finest moment thus far. Minimalist black metal from the San Francisco bay area. The band’s strongest song writing and a notable drum performance.
DLP mastered at 45 rpm in a single sleeve jacket.
The artwork is an expanded version of the painting found on the CD version released by Profound Lore.
Pressed on both black and clear vinyl. Clear vinyl is limited to 125 pieces and only available from The Flenser.Pre-Order Here
We are repressing Bosse-de-Nage’s second album. Raw minimalist black metal refined in a studio setting.
This repress is very similar to the first pressing except the stock used for jackets is heavier and retail copies won’t be shrink-wrapped.
Pressed on both black and clear vinyl. Clear vinyl is limited to 100 pieces and only available direct from The Flenser.Pre-Order Here